What rhetorical question does Brabantio ask in Act 1? Why does he bother with Roderigo whom he despises for a fool? Look at Iago’s soliloquy beginning at line 426. a. Explain: “Tis a monster begot upon itself, born on itself.” ... agreed to consider Iago's proposal because Iago had shown him how the removal of Cassio was necessary in the plan for Roderigo's having Desdemona. The ship bearing Michael Cassio is the first to arrivefrom Venice. Events work in Iago's favour. "Who else wants to steal my daughter?" Emilia at first appears to be one of her husband Iago’s puppets. RODERIGO Sir, sir, sir— Act 1, Scene 1, Page 5 BRABANTIO But thou must needs be sure My spirits and my place have in their power To make this bitter to thee. Thrusts at CASSIO RODERIGO thrusts his sword at CASSIO. In Act 3 sn iii, in which Othello asks Iago to kneel next to him and make a pact in order to destroy Cassio and Desdemona, we cannot but notice the power Iago evokes in Othello. Roderigo tries to stab Cassio, fails, gets stabbed himself, and looks to be in trouble until Iago sneaks up and stabs Cassio in the leg. He subtly insults Othello by saying passing out is “unsuiting” for such a man. What is Iago's plan and purpose in act 1, scene 3 of Othello? 26. If it was not for […] RODERIGO RODERIGO. (2) Man vs. 3. Toward the end of Act 1 Iago begins to formulate his plan. ‘Do not rise yet’, Iago cries, ‘I am yours forever’. Iago says how there are “many a duteous and knee crooking knave that…wears out his time, much like his master’s ass”. Act IV, CONT’d. and shortly thereafter Emilia facilitates a meeting between Desdemona and Cassio, and encourages her mistress to advocate on behalf of Cassio. The Duke. In act 1 of Othello, how does Iago use his power of persuasion with Roderigo, Brabantio, and Othello to create his scheme to undo Othello? At first Roderigo is incredulous at the idea that Desdemona could be in love with Cassio, but Iago keeps on talking, and Roderigo agrees to his plan. Who tells Brabantio that his new son-in-law is "far more fair than black?" In Act 4 Scene 1 Lines 91- 104 we see more of Iago’s manipulation of Othello. Bother were tricked by Iago to fight one another in the dark. Second is the “introduction into he problem”. Othello has proclaimed an evening of festivities. 4. Conflicts:(1) Man vs. Man: In Act 4 takes place a sword fight between Roderigo and Cassio. Nature: In Act 3, Iago planned to have Othello listen in on a conversation between himself and Cassio. (2) Man vs. 4. (Note his interactions with and language regarding Desdemona) 2. Events work in Iago's favour. Instead of finding opportunities for me, you seem to be preventing me from making any progress. This caused Cassio to fight with Roderigo and lose his place as lieutenant. Naturally, Cassio turns his drunken fury on Montano. He finally convinces Roderigo to believe that he would be able to win Desdemona’s affections, as Iago claims that either she will bore of Othello or he will bore of her. Othello sends his servant, a clown, or peasant, to tell the musicians to go away. Act 2, Scene 3 lines 54 - 120 Cassio attacks Roderigo! Othello. RODERIGO I know his gait, ’tis he.—Villain, thou diest! The ship bearing Iago, Emilia, Roderigo and Desdemona is the second one to arrive from Venice. Her father appears to be a controlling man, and she stands up to him. Ask a question and pose a possible answer. "Why did I bother having children?" If she won't, Roderigo threatens Iago, "assure yourself I will seek satisfaction of you" (4.2.199-200). IAGO [To himself ] I rubbed this young pimple as much as I can, and he's getting angry. Act 5, Scene 1, Page 2 Enter CASSIO CASSIO enters. SURVEY . Now, whether he kills Cassio or Cassio kills him, or they each kill each other, it's all good for me. Othello has proclaimed an evening of festivities. Resulting in Roderigo’s death. ... From the way that Iago and Roderigo act in the first scene we can tell that Iago is superior to Roderigo and has more control. Keith Tankard Knowledge4Africa.com ... Roderigo is a stranger to everyone on Cyprus and will therefore not be recognised or brought to book for his role. Then Iago jumps to his side supporting him, as he said "What, man, there are ways to recover the general again. "She had eyes and chose me," Othello tells himself (3.3.187). Events work in Iago's favour. In act 1 scene 1 Iago reveals his views on the roles of master and servant (in his case ancient) to Roderigo. Iago. Iago continues to shoot the breeze with Montano when Roderigo runs in—chased by Cassio. Othello has proclaimed an evening of festivities. RODERIGO I know the sound of his walk.—Die, villain! Emilia suspects that more is bothering Othello. At this point in the play, Othello has just come to after passing out from a fit of anger. answer choices . Conflicts:(1) Man vs. Man: In Act 4 takes place a sword fight between Roderigo and Cassio. Bother were tricked by Iago to fight one another in the dark. Two Venetian gentlemen run in at the sound of Cassio's screaming. Keith Tankard ... Roderigo is a stranger to everyone on Cyprus and will therefore not be recognised or brought to book for his role. ... "Who would be a father?" 4) tragedy . Act I, Scene I The play opens on a warm Venetian night, where a conversation is underway between Roderigo, a gentleman, and Iago, a soldier under Othello's command. Iago’s opinions show his perceived superiority in his character. He 1st got Roderigo to pester Cassio and influenced Cassio to drink. Summary: Act III, scene i. At first it showed the “good times”, which is othello and desdemona’s relationship before it was corrupted. As Cassio hits Roderigo (who literally asked for it), Montano tries to stop him. If Roderigo lives, he will make me pay him back for all the gold and jewels I took from him as gifts for Desdemona. 2. Act 5 ends in a tragedy. Othello Act 2 The scene is at a sea port in Cyprus, in an open place by the quay side. In act 1 scene 1 Iago reveals his views on the roles of master and servant (in his case ancient) to Roderigo. Desdemona speaks up when Emilia is quiet, and answers back to Iago. Act 4, Scene 2, Page 10 I will indeed no longer endure it, nor am I yet persuaded to put up in peace what already I have foolishly suffered. Cassio asks the clown to entreat Emilia to come speak with … Ironically, Othello assumes that Iago is being tactful and trying not to blame Cassio for what happened, whereas Iago has actually engineered the entire situation in order to get Cassio in trouble. How is Cassio portrayed in the beginning of this scene? In an effort to win Othello’s good graces, Cassio sends musicians to play music beneath the general’s window. Act II scene i 1. Well, I won’t take it … Resulting in Roderigo’s death. Roderigo then enters, and Iago sends him off after Cassio. ... not even bothering to investigate any further. Iago pretends he just stumbled in himself, declares Roderigo to be the assailant, and stabs Roderigo to death before the man can claim otherwise. Also Iago’s dominance over Othello is seen in Act 4 sn I … What is Iago saying in lines 140-143? This is a setup for a fight between the two. BRABANTIO You know I’m powerful enough to make you pay for this. In the start of this scene Iago torments Othello by imbedding awful graphic images of Desdemona into Othello’s mind. Roderigo. Iago says how there are “many a duteous and knee crooking knave that…wears out his time, much like his master’s ass”. Events work in Iago's favour. 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